Boomkat on Tape Music by Thomas Shrubsole

https://boomkat.com/products/tape-music

Here is their take on it:

Highly organic, kinetic concrete and reel-time ferric sculptures from Thomas Shrubsole, yielding almost 3 hours of lower case rustles resembling free jazz played by nature.
Working in a richly imaginative realm shared by everyone from Rashad Becker to Anne Guthrie, Ekoplekz to Decimus, ‘Tape Music’ is a significant batch of scrabbly abstraction from one of the North West’s most quietly unassuming and uncompromising operators. Working hands-on with his trusted reel-to-reel, found objects and 2nd-hand instrumentation, Shrubsole enacts a form of intimate animism that gives life to sounds lesser heard. Mixing skin with grit and machine, his improvised interventions coax out a plethora of almost anthropomorphic or bestial tones from things without a heart or brain, and effectively using his own body to better connect with the world around him and bring listeners to a granular, haptic level of musical perception.
Recorded in 2015 and left to mulch in the archive, the results are entirely analog from nose to tail, exploring a bio-organic feedback system that investigates, in his own words, “notions of the prosaic and the exotic, the personal as it pertains to the physically local and the distant, proximate and disembodied, the diaristic and the documentary: Kinetic performative physical improvisational concrete.”

Excavated Relics available now from Boomkat

Limited copies of Excavated Relics are available now from Boomkat

Here's their write-up:

"Gauzy, low-key, organically textured dub and wizened folk explorations from Thomas Shrubsole, reviving his Sub Loam alias with two ‘Excavated Relics’ from the archive circa 2009-2010.

The A-side’s Soil Surface’ speaks to Shrubsole’s signature grasp of slow-moving sonic murk with nearly 10 minutes of endearingly weary dub chords perfused with acidic percolations that appear to mimic a sped-up (but still very slow) time-lapse image of soil dynamics, while the other side’s 11 minute piece ’Stone Fragment’ catches him picking out coruscating guitar strings and against peripheral percussion and distant vocal droens in a style murkily resonating with the mystic appeal of Zoviet France. Both are assuredly swaddled in layers of ferric tape hiss. Both humbly worth your time."

The Portable Archive now available from Boomkat

Please note The Portable Archive has now sold out from Boomkat, the remaining few copies are available to order directly by emailing sub (dot) loam (at) yahoo (dot) co (dot) uk

https://boomkat.com/products/the-portable-archive

The Portable Archive reissues three volumes of Thomas Shrubsole’s humbly absorbing ambient studies/contemplations on soil dynamics, which were recorded as Sub Loam and originally released on the cult Cotton Goods label between 2009-2010, and are now teamed with an equivalent amount of unreleased pieces made over the same period. Big Recommendation if you followed the Cotton Goods label, or if you're into the ambient side of works by Move D, Jan Jelinek, To Rococo Rot etc.
First and foremost it’s lovely to be immersed back into the project, whose naturally textured and decaying structures emerged as quietly as they dissolved back at the turn of this decade, finding good company amidst the rustle and hum of Cotton Goods and, in a way, could be said to preempt the focus of FIS’ research in similar, if noisier, rugged terrain on his From Patterns to Details album.
No mistake, though; Sub Loam’s music is endearingly tactile and better defined by its textured, nuanced fidelity: Shrubsole handles his material like an environmental researcher or botanist making sketches on his rambles, offering poetic observations on the interactions of organic matter with “ditches, hedgerows, alleys, pavements and hill tops” modelled with an electro-acoustic palette and tape loops that quietly represent his subject’s subterranean root systems and intuitive sprawl in a series of concentric spirals and microtonal whorls.
Within his chloro-centric weltanschauung, Sub Loam divines the music of “rhythmic footfall, creeping rootstock, vaporous billows, transformational marginalia” in an esoteric yet tangible way that should sweetly resonate with anyone who appreciates the ebb and flow or warp and weft of nature on the smaller scales, as well as its larger form landscapes, and who can appreciate the same within the parameters of ambient music.
A beautiful package.

Ruderal Memory now available from Boomkat

Recommended this week: http://boomkat.com/cds/700917-sub-loam-ruderal-memory "Ghostly, longform electro-acoustic invocation from Sub Loam, the character also known as Thomas Shrubsole and Jesus On Mars. Via soprano saxophone fed through multi-cassette, twin-reel-to-reel set up, 'Ruderal Memory' manifests 45 minutes of seancé-like atmosphere with patiently unfolding arrangement informed by yoga breathing techniques and conducted from an anti-anthropocentric stance in key with Sub Loam's themes of elemental interplay and chlorophyllic consciousness. Aesthetically we're reminded of Robin The Fog's spectral experiments on 'The Ghosts Of Bush' or the quivering microtones yielded in William Basinski's 'Disintegration Loops', yet as with all of Shrubsole's output, there's a deeply individual spirit at work, following his own quiet path to personal enlightenment."

The Ley Hunter's Companion

Sub Loam's current release, The Ley Hunter's Companion (on Dissolving Records) has just been reviewed in this month's textura magazine. Those of you who enjoyed Earthern Circle, or indeed 2 and Ohr, may well enjoy this one, too.

It's available at the moment from Ultima Thule (on the racks with a couple of key influences, if you look hard enough... :) ), Fluid Radio's retail arm Stashed Goods, Boomkat, Phonica, Bleep and Norman's.